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In the two short stories, “Young Goodman Brown” and, “The Minister’s Black Veil,” Nathaniel Hawthorne depicts a romantic view of people and sin. Hawthorne himself is the great grandson of one of the judges who accused people mistakenly at the Salem Witch Trials. Because of this memory, he is tormented by morals, and most of his literature is romance, where the setting is dark and gloomy and the main character does not give in to evil, even though he or she experiences its powerful prevalence. Apart from the theme and setting distinct to his works, his writing style depicts the age and place his stories are written. Nathaniel Hawthorne’s short stories are very similar in structure and in message, and can be distinguished as his stories by a mature reader through comparison.
The most evident and clear resemblance in both stories is that both have a dark and gloomy setting. In fact both stories could be interpreted being in the same town. The town is very religious, extremely opposed to sin, or as they are shown out to be at first impression, and in both stories the atmosphere and surroundings give an alienated and dark touch to the stories. In, “The Minister’s Black Veil” the main character is a Parson tormented by his sin. In “Young Goodman Brown,” the main character is a chaste man who is tempted to sin for the devil. Religion plays an important role in the way the story is explained. In the “Young Goodman Brown,” the dark and gloomy surrounding include, “the forest, laughing like demons,” giving a reader a feel for the frightening, tense atmosphere. In “the ministers black veil” the veil itself symbolizes how the Minister hides his sin behind a black cloth, showing that he, like everyone else, has secret sin which he will take to his death bed. This veil also makes the story seem very desperate and mysterious, and a similar bitterness occurs in both stories. Both stories are set and written in similar situations, surrounding, and so they seem repetitions of on another, and are therefore very likely to have been written by the same author.
Hawthorne’s writing style is very distinct. In both stories, words used by Puritans such as, “prithee” and the addition of “good” in front of titles makes them very recognizable. A reader would further recognize that within the stories, many words related to religion are capitalized, and therefore hint at the fact that the author is in a religious society. Consequently, a mature reader could deduce that the two similar works are written by the same person, Nathaniel Hawthorne. After this realization, the lengthy descriptions of certain scenes give away the writing style of Hawthorne. In, “Young Goodman Brown,” when Goodman Brown hears horses galloping, a paragraph describes the scene around him and the location and descriptions of objects are formed, as if Hawthorne painted a picture using words, and only after this long description do the horse riders start their conversation. Similarly, in the, “The Minister’s Black Veil,” a large paragraph is utilized in the beginning of the story to describe the surprise of the people in church as the Minster first adorns his black veil. Hawthorne describes the situation very precisely and delicately, and the long length of these descriptions is distinct in Hawthorne’s style. After some comparison, the works seem undoubtedly his.
Both of Hawthorne’s short stories have a very similar and realistic theme, closely related to morals. The moral of the story is the insight a reader gets on world beliefs of ethics. As sin plays a major part of the plot and central idea. The theme is also mostly directed on sin. Most religious communities’ belief is to repent for your sin, but ironically, Nathaniel Hawthorne ridicules such people, even though he is one of them. He shows the protagonists in both stories who take part in sin but hide it and not take any initiative to claim this. They hide their sins, and as “on every visage a black veil,” the reader realizes a truth that everyone is a sinner, even if they may seem religious, even if they are great and good-hearted people. This idea that everyone is scarred with sin is also relevant in “Young Goodman Brown” when he sees the whole town in the middle of the forest, committing unspoken blasphemy by worshipping the devil. Going against popular belief, the argument being that all human psychology includes a certain amount of evil, and only determination and faith can persevere to resist its temptations. Goodman Brown keeps his faith and is victorious over his evil side, while Mr. Hooper in “The Minister’s Black Veil” lives a life of seclusion and repents to keep himself away from horrible sin. This indicates that humans are often victorious, and not completely influenced by evil, and so this conflict of good and evil is resolved in both stories, and when resolved, these stories seem identical in message, and recognizable by a reader who distinguishes and relates them to each other and the author, Nathaniel Hawthorne.
The two short stories, “Young Goodman Brown” and “The Minister’s Black Veil” display very dark and isolated realisms of ethics. Similarly written, with long descriptions and Puritan language, readers will often connect the two. Both realize the prevalence of sin and the determination to overcome its temptations. The setting of the surroundings and characters seem familiar when reading both stories. After a comparison, most readers would deduce that both works have a similar language, theme and setting, and would find it very likely that the same author wrote both short stories.
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