Mamet

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The most evident personification of outside power is in the phone conversations that occur throughout Act I and Act II, and, in this instance, the evidence is two fold - both in the physical ringing of the phone and the ensuing dialogue. The ringing of the phone continually interrupts John and Carols discussion, typically at an extremely important juncture or during a rather progressive dialogue, thus a seemingly blatant illustration of how outside forces shape and changes the direction of these two characters. Moreover, the dialogue that takes place between John and the caller strongly implicates John as having a desire to conform to the force of power, which is, again, not a personification of Academia or intellectual power but simple the authority and strength of Mass Society, everything outside of John and Carol, everything begging the two to conform. And though silence and disruption of dialogue has its place within Foucaults notions of power and society, there is also a place for the confessions of these phone conversations. As Foucault states

The obligation to confess is now relayed through so many different points, is so deeply ingrained in us, that we no longer perceive it as the effect of a power that constrains us; on the contrary, it seems to us that truth, lodged in our most secret nature, demands only to surface . . . and it can finally be articulated only at the price of a kind of liberation (History 60).

In Act I, the phone interruptions are perhaps the most intense and therefore the most problematic to the struggle of the characters. As Act I opens, Johns dialogue with the caller gives the audience an immediate instance of his need to conform to the outside forces by the steady yes/no conflict Well, yes, Im Im . . . no, Im sure its signif significant to mmmmmm . . . did you call Jerry? (Pause) Because . . . no, no, no, no, no (Mamet 1) as well as his subordinate ending I will (). This seeming admittance of inferiority is repeated later in Act I, again in closing to the same caller, I will. Right away (Mamet ). The yes/no conflict is also repetitious throughout Act I, John stating repeatedly to the caller yes. I talked to him. Well meet you at the No, because Im with a student (Mamet 0), and even into Act II which is why I . . . yes, no, no (55). The importance of this yes/no variance is that it displays the decision that John is being forced to make between his own individuality and the need to conform. The only deviation from his answering the phone, the one instance in which he does not answer it, further details how the individuality vs. conformity argument works. By not picking up the phone, John is able to actually progress the conversation and thereby approach Carol with the concept of breaking from conformity




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